Impending Doom are becoming a big name amongst the Deathcore scene, providing some of the heaviest, grittiest and astonishing tracks put to record in recent years. When they released ‘There Will Be Violence’ back in 2010, many fans were scratching their heads, wondering if the band they loved had started down the path of being less heavy and heading towards mainstream Metalcore. So with this release, has the band managed to capture the gritty brutality that they originally captured in their earlier years?

The answer, by the way, is yes. As we get closer to the end of the year, it seems that each new Metal album is becoming heavier and heavier. This is the case here. The amount of times I have listened to an album and called it the heaviest album of the year is unbelievable and this is no exception. This IS the heaviest album of this year, thus far. And it is something I loved listening to as well, being one of the better albums released so far this year.

'Death Will Reign' starts its stupid amounts of brutality with opener 'Ravenous Disease'. Surprisingly, that is kind of how this track feels. It is fast, it is heavy, it is genuinely earth-shattering. The guitars chug, the bass pounds and the drums seem to open up the earth causing mass destruction. The vocals are some of the best in recent years, maintaining their constant feel of hatred and anger that just pours into the mic. The title track follows, unleashing hell with its jaw-dropping breakdowns that will make you just want to annihilate anything and everything within your sight. This is more terrifying than facing off a shark and probably delivers the same adrenaline rush too.

I don’t know how a band can get increasingly heavier with each track but this ends up being the case, spreading world-wide destruction, possibly bringing the world to a halt. But amongst the heaviness is the whole beauty of the album. It showcases Deathcore and Death Metal at its finest, being one of the most solid releases in a long time. The album progresses through tracks ‘Beyond The Grave’, ‘My Own Maker’, ‘Doomsday’, ‘Rip, Tear And Burn’, ‘Hellhole’, ‘My Blood’, ‘Endless’ and ‘Live Or Die’ before ending with the hellish and ferocious ‘The Great Divine’, a track of sheer brutal force that lasts over and epic length of eight minutes.

I can imagine that this is what the apocalypse would sound like with highlights ‘Doomsday’, ‘Hellhole’, ‘Death Will Reign’ and ‘Live Or Die’. These tracks were made to cause hell and carnage, not to mention lyrics that will likely offend a few people. The closing track fits perfectly with this whole album and I will be damned if someone could deliver something as terrifying, as beautiful and as heavy (all at the same time) by the end of this year because this is ranking very high, ticking all boxes and proving that Deathcore can become something extremely devastating.

The chuggy guitars, melodic interludes and intros, solid riffs, intense vocals filled with anger and unrelenting amounts of power, the fierece bass-lines that thunder away and the drums that could cause the planet to just simply stop functioning and the sun to implode in on itself, ‘Death Will Reign’ is a solid release, producing the best Deathcore album since last years ‘Hate’ by Thy Art Is Murder and thus the heaviest album of this year as of now. Yes, this is downright stupidly heavy. It is also darn amazing.

So then, having being beautifully mixed and everything working so well together, Impending Doom have crafted a beautifully deranged album of delightful brutality that is filled with nothing but sheer force and power. It grips you and doesn’t allow you to take a breath until it’s done. It leaves you speechless, taking your breath away with its heaviness that just explodes the moment you press play. This proves that Impending Doom are a band to not take so light-heartedly as they are a brutal force to be reckoned with. Honestly, I wouldn’t be surprised if Satan himself made this record. Terrifying, heavy, beautiful, ground-breaking, amazing. This gets my stamp of approval. Pick it up if you want something that grabs you and doesn’t let go.

10/10

- Asa

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AuthorJordan Mohler
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Today’s feature of “5 Albums That Influenced Me" comes Strychnia vocalist Kevin O’Laughlin. The band are in the studio working on a new EP which should be out in May.

1. The Cleansing - Suicide Silence

This album is easily my biggest influence when it comes to music in general. Mitch is also my biggest influence when it comes to vocals. I didn’t start getting into extreme metal until I was 16 or 17 years old and when I heard this album my mind was just blown, I loved it. It totally motivated me to want to learn how to do those demonic screams. I still don’t think any deathcore band has topped this album. Although, I really don’t listen to a lot of deathcore these days. The genre has gotten a lot worse in my opinion. I’m more into Death Metal, Thrash Metal, and Black Metal these days. And a lot of non-metal lol.

2. Scars of The Crucifix - Deicide

This album was huge for me when I first joined Strychnia. Not only was I being introduced to some new extreme metal… The vocals on this album really heavily influenced some of the overlaps that I do for Strychnia. This album had a lot of low screams with high screams overlapped, and at the time I didn’t really think anyone was doing that in Death Metal. I was new to metal and I had thought overlapping was more of a deathcore thing.

3. Ashes of The Wake - Lamb of God

This album was another big influence on my vocal style for Strychnia. When I first joined the band, I was really more of a deathcore-influenced Vocalist. I needed to change it up a bit and I needed to add more variety to the tones that I could scream. I didn’t do this consciously, but I definitely used Randy’s mid-screams as a big influence for my own “mid-scream”. I think another thing that led to this was the fact that we used to cover the song “Now You’ve Got Something To Die For” when we first started playing shows together.

4. Negation - Decapitated

Mmmm… good ol’ Decapitated. Haha. BIG influence on my low screams. I love that “e” sound combined with the foreign accent. I love doing Decapiated-style low screams on Strychnia stuff. Obviously I’ve made it into my own style, but these guys and this album are another huge influence.

5. Tomb of The Mutilated - Cannibal Corpse

This album was a huge influence for me when I was experimenting with a lot of deep guttural screams. Through my learning process as a Vocalist I always wanted to have a variety of styles. I never wanted to be that mono-tone guy. Even though that can sound great for some people, it’s just not for me. I just remember practicing “Hammer Smashed Face” and “I Cum Blood” for hours trying to get those crazy gutturals down.

Defiler - Nematocera
Record Label: Razor & Tie
Release Date: October 9th, 2012

"I wanna see you cry, bitch!" For most of us, that was the introduction to the California four-piece lifecore band, Defiler. The band (who recently signed to Razor & Tie) is led by 19 year old front man Jake Pelzl and is rounded out by Ethan Lewis (guitar), Ian Poole (drums) and Jesse Dhaliwal (bass). From the first track "Lucky 38", it’s easy to see that Jake’s vocals have vastly improved from their debut record Pangaea. The musicianship has gotten better this time around as well; less chugging and more melody. Sure, there’s a breakdown here and there but they’re not as prevalent as they were on Pangaea.The inclusion of clean vocals (mostly as backup singing) are nice touch and stand out on a few tracks such as "Movin’ On Up The Nation’s Chain", and "Nuclear Anomaly".

It’s worth noting the band self-produced the record with mixing duties handled by Chris “Zeuss” Harris (Suicide Silence, Chelsea Grin, The Acacia Strain); definitely a step up from the production on Pangaea. A few of the more prominent tracks on the record would be the crushing song, “Octobortion” (featuring Frankie Palmeri of Emmure) and “Walk In The Glow” (the single to which they’re making a video for). Jake describes the latter as “…heavy, pummeling verses with the melancholy, harmonized leads under it - the technical bridge with crazy guitar patterns - and the melodic choruses.” All in all, this is a great record for fans of the deathcore genre. If you want something heavy to listen to while throw down with your bros, this is the record for you.

8.5/10

- Jordan