Streetlight Manifesto’s delayed release of their newest album “The Hands That Thieve” was more than worth the wait. This album delves right into the familiar sounds of the band, creating an atmosphere that will draw the newest of fans, as well as keep the old ones coming.

Their raw, yet identifiable sound can be heard unwavering through this entire album. “The Hands That Thieve” brings more than the usual punching horns, punk beats, and yelling vocals; This album is a work of art and is a great definition of music. Whether you are a fan of the genre or not, this album has a very real sound to it. The lyrics express a certain message of realism and brutal honesty that is hard to find in most music today.

The first song to be released from this album before it was out was an acoustic version of the 5th track “With Any Sort of Certainty”. This song, though acoustic, set up the listener on what to expect for the upcoming album and definitely didn’t disappoint. The energized, charged up sound of Streetlight Manifesto still reigns supreme in this album. Songs like “The Three of Us”, “With Any Sort of Certainty”, and title track “The Hands That Thieve” prove to bring a powerhouse record to ska fans and any fans of bands that put an original spin on traditional songwriting.

The singer/songwriter/guitarist of the band, Tomas Kalnoky, brings a homey feel in his lyrics and vocals that is supercharged by the rest of the band. This album wants to make you jump and dance and hum along, but has a certain comforting sadness to it. As far as the album itself goes, these song mesh really well together and bring back a style that is composed of singer/songwriter and ska. It’s fair to say that Streetlight Manifesto has mastered this sound and genre and only proves this point further with “The Hands That Thieve”.

This album will bring a great satisfaction to any past fans of Streetlight Manifesto and will excite any new listeners of the band. “The Hands That Thieve” keep an old school punk feel with a new age ska spin to it. This album is the perfect album for new and old fans; it brings the listener through a rollercoaster of emotions as the album  progresses.

Rating 9.5/10

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AuthorJordan Mohler
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New Exclusive pre- order packages are available for STREETLIGHT MANIFESTO’s upcoming album The Hands That Thieve, out November 6 through the Victory Records Webstore. Packages include t-shirt, poster, button pack and choice of limited edition double vinyl or CD. Fans now have the opportunity to add additional STREETLIGHT MANIFESTO items for a discounted rate.  Check out all the items here and order now!

STREETLIGHT MANIFESTO will headline a North American tour beginning October 16 in Toronto, Ontario with support from Lionize, Hostage Calm and The Chicharones.

Tour Dates:

10/16- Toronto, ON @ Sound Academy

10/17- Montreal, QC @ Metropolis

10/18- North Hampton, MA @ Pearl St

10/19- Atlantic City, NJ @ House Of Blues

10/20- Lancaster, PA @ Chameleon Club

10/21- Norfolk, VA @ The Nova

10/23- Raleigh, NC @ Lincoln Theatre

10/24- Atlanta, GA @ The Masquerade

10/26- Orlando, FL @ The Plaza Theatre

10/27- Gainesville, FL @ The Fest *Venue TBD

10/28- Ft. Lauderdale, FL @ Culture Room

10/30- New Orleans, LA @ House Of Blues

10/31- Houston, TX @ Warehouse Live

11/03- Sao Paulo, BR @ Espaco Das Americas

11/06- Buenos Aires, BR @ Teatro Flores

11/08- Santiago, CL @ Teatro Caupolican

11/13- Portland, OR @ Hawthorne Theater

11/14- Seattle, WA @ Neptune Theater

11/16- Salt Lake City, UT @ Club Sound

11/17- Denver, CO @ Ogden Theatre

11/19- Minneapolis, MN @ Mill City Nights

11/20- Chicago, IL @ House Of Blues

11/21- Pontiac, MI @ Clutch Cargo

11/23- Sayreville, NJ @ Starland Ballroom

11/24- Boston, MA @ Royale

11/25- New York, NY @ Best Buy Theater

11/29- San Antonio, TX @ The White Rabbit

12/01- Tempe, AZ @ Marquee Theater

12/02- Santa Ana, CA @ Yost Theater

12/04- San Diego, CA @ House Of Blues

12/05- Los Angeles, CA @ Mayan Theater

12/06- San Francisco, CA @ Slim’s

               12/07- Sacramento, CA @ Ace Of Spades

Posted
AuthorJordan Mohler
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